Lace & Flowers: Lover The Label

LoverTheLabel-dressWork, holiday planning and the inevitable pre-holiday fitness regime has kept me busy and away from blogging this week. American husband and I spent hours looking at some of our favourite European locations yesterday, and I think we’ve found the perfect getaway for some rest and relaxation in September (!!).

There is so much I want to write about the area around my new home and I could pen an entire (other) thesis on my summer sale finds… but for the moment, whilst I gather myself this weekend for a lot of (late) blogging ahead, I’m returning to a much written about brand, Australian label Lover.

I’ve come to understand there is both a ‘look’ and a ‘feel’ to wearing Lover the Label.  If you own a piece from Lover, I am sure you will agree with me.  Synonymous with Sydney chic, Lover staples are tailored jackets, high waisted shorts and of course, my favourite, their lace dresses. Never in doubt of choosing Lover for my wedding dress (Part III of White Magick is now available) I found this little number on Ebay some time ago.  A bargain bid won me this beautiful style and that bargain factor makes me smile even more when I wear it.

Since there are a lot of posts in the pipeline, Blog Reader – here is a little snapshot of what is to come.  Some truly stunning bag designs from Stacy Chan (one of the only designers I want to wear pink for), beautiful bodysuits from Bradamant and the perfect tuxedo shirt from J Crew. Stay tuned!

Photos: Beth Morton Photography.  Wearing: Dress from Lover. Heels: Zara.

 

Fleet Ilya Corset Belt: Still The Dark Side Of The Force

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FleetIlya-leatherbelt-4I love a mix of hard and soft textures within an outfit.  A crisp white shirt and a soft, flowing leather jacket; a fluffy cropped Angora sweater and a sharp cashmere blend A line skirt (and so on, and so forth.)  If you haven’t got the right mixture of fabrics and textures to complete this type of look, I suggest turning to your accessories to mix things up a little.

I have several Fleet Ilya pieces in my wardrobe, with this large point cut out corset belt being my newest accessory from the brand.  A wonderfully webbed show piece – reminiscent of the armour of Batman with a modern Spiderman aesthetic – it’s a very slim fitting, waist nipping style I’ve worn in many different ways.  In summer, when wearing black, navy, or entirely ‘dark’ colours is typically frowned upon (for more of my thoughts on this topic, see here) I’ll still be aligned with the dark side of the force, but I will roll out the lighter fabrics.  Here I thought the combination of the corset belt and this flowing summer dress was a great dichotomy between textures.

Wearing: Heels, Zara. Belt: Fleet Ilya.  Dress: Bought in NYC (unknown Soho boutique, if I ever find it again I will tell you!). Nude slip: Flexees.

Photos: Beth Morton Photography

The Audrey Hepburn Effect

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MillyNY-MillybyMichelleShe is one of the most enduring screen icons of the 20th Century and her style is one of the most emulated and admired in the world.  Fashion & Cinema note that; “She managed to balance simplicity, comfort and elegance to create a timeless, singularly European sophistication that came to define her persona.

As I continue my summer quest to strip my wardrobe down to the very basics of black, white and denim; the odd eye-catching print and my favourite leather pieces, I am reminded of Audrey Hepburn‘s effortless grace and the allure of her style, which arose from her subtle approach to dressing.  Also,

Unlike so many other icons of the period, Hepburn’s style was not manufactured by a studio, but was instead entirely idiosyncratic. It called upon both the understated elegance of her upbringing, and the many years of ballet that influenced her physical bearing.” – Fashion & Cinema

Following her 1954 movie Sabrina, Hepburn established a relationship with Givenchy, who was both friend and fashion designer to her. He created her costumes for that movie; the gown, the boatneck sweater, the capri pants.  If I were to ask you about Audrey Hepburn’s style however, you are perhaps most likely to recall the iconic little black dress seen through the window at Breakfast at Tiffany’s, also by Givenchy and popularized by Coco Chanel.  Riccardo Tisci, creative director of Givenchy, said of the dress:

It was 1961 and this dress is in a way very sixties. The front is severe, elegant, very clean, but at the back there is the very interesting neckline, somewhere between ethnic and Parisian; a softness that other designers in that time didn’t have.” (from Classiq.me)

Even in the early stages of downsizing I realize I have too too many little black dresses in my closet, but I don’t mind. I realize the little black dress can be different every time you put it on. I call it the Hepburn effect.

Photos: Beth Morton Photography.

Wearing: Dress by Milly NY.