Pastels and Peplum ~ Rodarte X Opening Ceremonyfeatured

Pastels and Peplum ~ Rodarte X Opening Ceremony

I go weak at the knees for Rodarte, I really do.  I find many of their dresses have that dream-like, sleeping beauty quality – a truly romantic feel.  When the Metropolitan Museum of Art held their Addressing Fashion exhibition, they described Rodarte gowns as characterised by an obsessional attention to detail:

A selection of Rodarte dresses over the last few years – catwalk images below from Elle

“At Rodarte, stiffer fabrics in brocades and metallics are invested with movement and swing and the house’s favored organzas and chiffons are painstakingly worked to emphasize their fluttering ethereality. A Rodarte gown, therefore, is not only beautiful in the long view of the red carpet but also in circumstances of greater intimacy. The seduction of their craft is in the lightness of their touch.” ~ Metropolitan Museum of Art

This photoshoot is one of my favourites.  I’m wearing my peplum dress from the second Rodarte x Opening Ceremony collection – complete with amazing details: a flouncy hemline; ruffled bodice and skirt and open shoulders.  I own two dresses from this collection (you can see the other dress here) that was themed around the Mulleavy sister’s vision of a nordic winter:

“Ruffled textures and beadwork accent clean scandinavian lines, mock necks and draped shoulders.  Mints, blush and ochre combine for a romantic colorscape grounded in earthy browns” ~ Opening Ceremony

I’m longing for warmer weather to break out this dress.  In approximately two months, if you see someone flouncing around Manhattan in this dress (fairy godmother optional), it could well be me.

Photos by the wonderfully talented Lydia Hudgens.
Wearing: Dress, Rodarte for Opening Ceremony.  Shoes: Dorothy Perkins (closest matches here).
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